都市里的水岸森林 | 上海 仁恒静安世纪
Yanlord Jingan Century Sales Gallery is located in Jing’an District, Shanghai, China, next to a long-built commercial square in the north and a large commercial center still under development in the west. Although it is located in the bustling city center, there is no scenery around to borrow from.
A 30x20m rectangular space, between the main display facade of the building and the municipal sidewalk, is the only landscape space in the sales gallery area. The main circulation for the visitors to enter the sales gallery area is almost from one end of this rectangular space to the other. Our site seems to be a piece of space without shelter and scenery, nevertheless, it still needs to leave a deep impression on visitors in the short walking space of 30 meters. Therefore, how to break through the singularity of the existing spatial form, utilize this narrow and monotonous rectangular site to create unforgettable landscape scenery with landscape techniques has become the main difficulty of our design.
Photo © Fusang REN
Photo © Fusang REN
Photo © Fusang REN
第二阶段进入主庭院中。
随着进入，原来外侧硬挺理性的感觉意外的变为柔和自然的曲线。上下两侧不同高差的金属花池，如雕塑般贯穿其中。通过地形的营造，尽可能多在有限的空间内增加绿化多维的体量，突出森林的感受。
森林的布置方式在入口处以绿化为主，水景蜿蜒其中，通过前中后景曲线的设置，增加人们对空间进深的感知。当通过建筑连廊到达主庭院中段时，水面延展开来，空间突然豁然开朗，达到步移景异的效果。
Walking into the main courtyard, we enter the second stage. Along with the entrance, the original stiff and rational feeling on the outside unexpectedly turns into a soft and natural curve. The metal flower planters with elevation differences on the upper and lower sides run through the whole area for appreciation with sculpture feature. Through the construction of terrain, the multi-dimensional volume of greening is ornamented as much as possible in this limited space, highlighting the forest experience. The arrangement of the forest feeling is dominated by greening at the entrance, along with a meandering waterscape. The setting of the front, middle and back scenery curves enrich people’s perception of the entire space depth. When reaching through the corridor to the main courtyard in the middle, the spread of the water suddenly enlightens the whole space, achieving the varying sceneries with changing view-points.
Photo © Fusang REN
第三阶段主庭院的尽头。
随着镜面水景跌级而下，场地由原本的观赏庭院，转变为可休憩的场所。如艺术品般的爵士白坐凳悬挑在曲线花池的中间，耳边是潺潺的水声，眼前是叠级的水景，远处是在雾森中摇曳的水岸森林，和城市的喧嚣形成鲜明的对比。让访客在进入展示区前就先进入设计师为其编制的梦境中。
At the end of the main courtyard in the third stage, with the reflection pool dropping down, the site is transformed from the original ornamental garden to a resting place.
The White Cloud Marble benches, which appear to be artwork, are suspended in the middle of the curvilinear flower planters. With the sound of gurgling water in ears, a cascading waterscape in the front as well as the swaying waterfront forest in the mist at a distance, the scene here forms a sharp contrast to the hustle and bustle of the city. Visitors are guided into the dreamland created by the designer before entering the sales gallery.
Photo © Fusang REN
Photo © Fusang REN
Photo © Fusang REN
In terms of planting design, we strive to create an integrated forest experience full of freedom and vitality. It is hoped that the planted tree species will continue to grow into a forest in the future, leaving behind unpredictable light and shadow at the same time. Here, we would appreciate GM Landscape Design led by Ms. He Wenhong for their joint efforts in planting design with us through careful consideration of the seedling height, crown width, branch points and the degree of overlap. Utilizing the mixed flower paths with different texture and height, we aim to release the sight of the middle layer, meanwhile, the lower level will be dominated by simple but elegant green. We spare no effort to creating a unique project temperament and consequently highlighting the delicate sense of garden.
注：项目稿来自 TROP景观事务所 ，由 看见景观 编辑，请勿以此编辑版本转载，仅用于交流学习。
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